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Dre's lyrics distastefully misogynistic, writing 'it's a New Millennium, but he's Still S.L.I.M.E. In a negative review, Robert Christgau from The Village Voice found Dr. PopMatters writer Chris Massey declared that 'Musically, 2001 is about as close to brilliant as any one gangsta rap album might possibly get.' Christopher John Farley of Time stated that 'The beats are fresh and involving, and Dre's collaborations with Eminem and Snoop Dogg have ferocity and wit.' Although he was ambivalent towards the album's subject matter and guest rappers, Greg Tate of Spin was pleasantly surprised by 'the most memorable MC'ing on this album com from Dre himself, Eminem notwithstanding' and stated, 'Whatever one's opinion of the sexual politics and gun lust of Dre's canon, his ongoing commitment to formal excellence and sonic innovation in this art form may one day earn him a place next to George Clinton, if not Stevie Wonder, Duke Ellington, or Miles Davis.' Dre didn't expand the genre, but it was 'powerful enough in parts, but not clever enough to give Will Smith the fear'. Dre, stating, 'If any rap producer deserves the title 'composer', it's he.' NME mentioned that Dr.

Dre and that it was as 'addictive as it was back when over 3 million record buyers got hooked on The Chronic and Snoop Dogg's Dre-produced Doggystyle' and went on to commend Dr.

Stephen Thomas Erlewine of AllMusic stated, ' 2001 isn't as consistent or striking as Slim Shady, but the music is always brimming with character.' Entertainment Weekly 's Tom Sinclair praised the production, calling it 'uncharacteristically sparse sound' from Dr.

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Critical reception Professional ratingsДў001 received generally positive reviews from critics. As of August 2015, the album has sold 7,800,000 copies in the United States. Dre's best selling album, as his previous album, The Chronic, was certified three times platinum. The album was certified six times Platinum by the Recording Industry Association of America (RIAA) on November 21, 2000. It re-entered the charts in 2003, peaking on the UK Albums Top 75 at number 61 and on the Ireland Albums Top 75 at number 30. Closing out the year of 2000, the album was number 5 on the Billboard Top Albums and number one on the Billboard Top R&B/Hip-Hop Albums chart. It peaked at number 11 on the New Zealand album chart. The record was mildly successful in Europe, reaching number 4 in the United Kingdom, number 7 in Ireland, number 15 in France, number 17 in the Netherlands and number 26 in Norway. The album was successful in Canada, where it reached number 2 on the charts. It also entered at number one on Billboard 's Top R&B/Hip-Hop Albums chart. The album debuted at number 2 on the US Billboard 200, with first-week sales of 516,000 copies.

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When he wants to work, they work.) He'll program a beat, then ask the musicians to play along when Dre hears something he likes, he isolates the player and tells him how to refine the sound.' Music Production

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Dre employs, stating 'Every Dre track begins the same way, with Dre behind a drum machine in a room full of trusted musicians. So I'd be on the keyboards, and Mike was on the bass guitar, and Dre was on the drum machine.' Josh Tyrangiel of Time has described the recording process which Dr. He threw me into the mix, and I sort of tapped on a new flavor with my whole piano sound and the strings and orchestration. He needed a fuel injection, and Dre utilized me as the nitrous oxide. Dre used his collaborators during recording sessions: 'At the time, I saw Dr. Co-producer Scott Storch talked of how Dr. The album's production expanded on that of The Chronic, with new, sparse beats and reduced use of samples which were prominent on his debut album.